Tuesday, March 3, 2009

Blending old and new music

We are a confessional, 2nd LBC (1689), reformed baptist church. One can safely assume we love to sing old hymns. Toplady, Kent, Watts, Gadsby, Cowper, Bonar, etc. We love to sing new hymns, too. Carson, Kauflin, Dudley-Smith, Clarkson, Getty, Townend, Kendrick, Boice, etc. And we love to sing the psalms (usually newer settings). This is who we are. We are happy being this way!

We also want our music to be consciously missional -- as we are able, to sing in the musical vernacular of our culture. I don't want folks having to walk through a musical time-machine when they come to our services. So we also love to sing 'contemporary' worship songs (long list here)...


You might call our music style "blended piano-driven" -- piano, synth, acoustic guitar & bass, djembe, violin and other inst. sometimes. It wouldn't be accurate to call what we do "guitar-driven pop style." We're much more acoustic than that. (Though I wouldn't mind....)

I'm not talking here about singing hymns (anything old & from the blue book) vs. choruses (new stuff). That's an inaccurate distinction anyway (many of our hymns are new, and most contemporary worship songs today can't be called "choruses."). No, I'm talking about the sound of our music. How do we blend old and new styles in the same set or service?

Part of the answer is just old-fashioned work. It takes time to be sure the flow continues through the set without interruption. We can and do sing hymns (old and new) in an older manner -- one has to be careful where to place them in the set, to be careful the style contrasts aren't too sudden from one song to the next. [Tech-speak: by "older manner" I mean songs having frequent and complex chord changes, piano leading with melody, no/almost no guitar, little percussion.]

The flow between songs is critical to removing distractions in worship. We just can't bump from one good song to the next w/o thinking through key and tempo changes, style contrasts, instrumentation, etc. I am convinced that we need to give as much attention to transitions as we do the songs themselves.

But another part of the answer is something we've begun doing this year -- downloading hymns settings arranged in a 'contemporary' style. Hymns with a new hair-do! Singing 'classic' hymns in a way that sounds current. I've been getting our songs (1 or 2 per week) from lifewayworship.com -- the Southern Baptist development of their new hymnal. There are other sources,too (see Don Chapman at hymncharts.com).

So this last Sunday, when we sang "Holy, holy, holy," it fit right into the set. It was a classic hymn in a contemporary setting -- we got into it easily from "The gospel is true" and went from it easily into "How great is our God." Isn't downloading songs expensive? On average, I'm spending about $7 per lifewayworship arrangement, I think I can justify the expense.

Why download music:
1. We're blending our hymn heritage (old & new) into a more contemporary style. Our musicians and I need help in learning how to play hymns in a contemporary sound.
2. Our instruments (synth, guitars, percussion, violin, others) can't play from a hymnal (designed for voices, piano, organ).
3. I want our rich hymn history arranged for our music team -- a both/and approach (so we can do both 'traditional' and 'contemporary' versions). This isn't about never singing again in an older style -- it is a matter of now having a choice.
4. The music we download we own. These are one-time purchases!
5. These are internet downloads -- so we save enormously from purchasing pre-printed music arrangement books.
6. Many favorable comments so far.
7. Couldn't I arrange these songs myself? I suppose -- if I had the time. But I don't. I work without pay. And it's hard to increase the 15+ hours I already spend outside of our services. Full disclosure: downloading these arrangements does make it easier for me.

I'd be interested in your thoughts!

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Monday, March 2, 2009

"I know whom I have believed"

A new song for us. It takes a gospel song and puts a new tune to it. From Christ Community Church (Franklin, TN), on Re:awakening, vol. 1. See the album here.







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Setlist for March 1, 2009

Morning Worship
Pastor Ted preached on how we should respond to puzzles, the seeming paradox, as we find them in God's Word -- e.g., the problem of evil, divine sovereignty & human responsibility, etc. It was really good -- (1) what happens when we find them in God's Word, (2) what we should remember, (3) what we should never do, and (4) what we must always do (fall down and worship). Really good. The musical theme focused on the triune God of grace.

Walk-in song
Grace unmeasured (sovereign grace)

Set
And can it be
The gospel is true
Holy, holy, holy
How great is our God
My lips will praise you

B/4 the sermon
O great God (sovereign grace)

The Lord's Table
Pastor Joe preached Isaiah 53:1-6 on 4 words: despised, rejected, esteemed, desire.

Walk-in song
I know whom I have believed (new, from Christ Community Church -- I'll post it separately)

Set
I boast no more (I posted about this hymn here)
I will glory in my Redeemer (sovereign grace)
Alas, and did my Savior bleed (kauflin setting)

At the table
Not what my hands have done
Give me Jesus

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Saturday, February 28, 2009

On removing distractions...

This is part 2 to the previous post, about things "worship leaders" do that distract/annoy people. 
I want to focus tightly on admonition for the music guy himself, the one leading the singing. This isn't about one's own heart-preparation, pastoral perspective, etc.
I'm just looking here how we can remove distractions we don't need to have. Besides some stuff in that blog that I can't ever imagine happening in a reformed church (prob'ly because I don't get out much), these pitfalls should be noted and avoided. (Again, at HBC our 'band' faces forward -- so some of the distracting things mentioned don't happen here.)

Speaking
-- too often and too much, breaking the flow of the set
-- speaking the next line of the song as we're about to sing it (even though they can see it on the screen)
-- inauthentic speech (using title of next song as comment/intro, talking that doesn't seem truly driven by the moment, scripted-sounding prayer)

Preparation
-- doesn't know the songs well
-- typos on the screen
-- starting the service late!
-- opening the service with low energy
-- poorly rehearsed key changes

Deportment
-- talks to cong as if we're at a high school pep rally or rock concert
-- telling people what to do ("everyone raise your hands") This one is really a matter of understanding the church's culture. In our fellowship they want almost no such direction ever.

Musicianship
-- repetition without purpose
-- poor transitions, no flow between songs
-- mumbled singing/poor diction
-- poor use of mics during singing

Character
-- lives one way, but turns on the "godly" on Sunday morning

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"I hate it when my worship leader..."

Read this with discernment, but there are good lessons for us to learn and mistakes to avoid. See here. Read More......

Thursday, February 26, 2009

Need help fixing words to a song

Need help fixing some words to a song:
   Several months ago when we sang this song, our elders requested that we fix the words to v.1 of The Gospel is True. Can you help me out here? Comment on why we should keep the words as they are, or suggest an improvement. I'm drawing a blank....

UPDATE: Mark Redfern suggests:
"We have a God who's forgiven us, and paid for all our sin"

   The words below in bold do seem ambiguous. On the cross we were not actually forgiven. (It's the same kind of mistake made in some old gospel songs.) Forgiveness is a part of our own personal salvation experience -- God's sovereign grace to bring us to faith (the ordo salutis). Better to say, on the cross our forgiveness was secured (i.e., particular atonement). To borrow from John Murray, on the cross all that was needed to secure our forgiveness was accomplished. In our own personal history, then, the Holy Spirit applies the merits of Christ's atonement to us -- i.e. justification (both forgiveness from our sins and the application (imputation) of Christ's righteousness).

   So what does it mean (below) that God forgave us "while we were yet in sin"?

Verse 1:
We have a hope that is living / and love that never will end
We have a God who's forgiven us / while we were yet in sin
Chorus 1:
Thank you Jesus / O how we worship you
Thank you Jesus / Hallelujah the gospel is true

The Gospel Is True / David Hampton | Scott Wesley Brown / Copyright:
©1997 SongWard Music / CCLI: 2119795

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Tuesday, February 24, 2009

How loud is too loud?

Check out Bob Kauflin's article, "How loud the worship team?" at his blog site, worshipmatters.com....

In my judgment, at HBC we do NOT have the problem of being too loud -- in fact, often we need much more sound. I realize that musical tastes and musical judgments vary widely. If you're not used to an amplified guitar, for instance, any volume sounds too high. Nevertheless, if the congregation near the back of the auditorium can't follow a key or tempo change, then we're not loud enough. If the folks in the back don't know when to come in, then we're not loud enough. Really.

We're still working on sound. I'm thankful for the 3 guys we have -- Dwayne, Dan and David. They work hard at our services! We should probably bring in some professional insight to help us out with mixing, frequency pushing, etc.

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"All Hail the Power of Jesus Name"

I've mentioned that, when possible, we use hymn arrangements from lifewayworship. This is part of the effort by the SBC to create a hymnal "without a back cover." You really should check it out. You pay for it, of course. But then you own the music. Here's a sample from one of last week's hymns.







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Eat the Mic

From Don Chapman at worshipideas.com. He comments on the right kind of vocal/mic technique in our worship. Good stuff. Read it here. Read More......

Monday, February 23, 2009

Can't help myself


The Youngest Master: Mendelssohn at two hundred by Alex Ross. from The New Yorker. Read it here. 

Excerpt from Overture to a Midsummer Night's Dream. (He was 16 years old!)









Claudio Abbado conducting the London Symphony, DG 471467.

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Principles for worship at HBC #6

5. We seek a whole person (head and heart) response to God’s Word and work.

All response in worship is based on God’s self-revelation in the Lord Jesus Christ. As God reveals His power, we respond in wonder. As God reveals His holiness, we respond in confession and contrition. As God reveals His grace, we respond in humility. As God reveals His purpose, we respond in surrender and commitment. As God reveals His plans for our lives, we respond in prayer. As God reveals His goodness, we respond in joy, thankfulness, praise and celebration (Is. 6:1-12; Ps. 100:4-5).

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Sunday Setlist 2/22/9

This was our monthly "Friend Sunday." Sean Melvin preached Heb 1:1-3, [1. God has spoken; 2. God has spoken in his Son; 3. God has spoken completely and finally in his Son.] Jim had a new guitar -- great sound! We had everything going today - piano, synth, guitar, bass, 3 vocals, djembe. The congregation sang really well.

Walk-in
Shine, Jesus, shine
Set
All hail the power
He is exalted
Glorious and mighty -- sovereign grace
Only your mercy
Agnus dei
B/4 & after the sermon
To the only God

Our evening was given to an annual business meeting; only 1 hymn was sung ("Glorious things")


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